As someone who spent over a decade in the stock photography and creative tools industry, I’ve seen firsthand how it has evolved. The news of a potential Getty and Shutterstock merger made me think about how the stock photography industry actors found themselves at a crossroads and what future lies ahead.
Last year, Adobe updated its Firefly generative AI platform multiple times, the most recent coming in September. Over that time, the Lightroom and Photoshop tools that rely on the technology have gotten steadily worse and the system's choice to add a Bitcoin logo to a photo of a seagull is a perfect distillation of the problem.
This week, Getty Images and Shutterstock announced an intent to merge, bringing two of the top three largest stock photography companies together. It's just one more step down the road to rock bottom.
As we close the book on 2024 and peer ahead to what should be an exciting year for new cameras and lenses, it is worth looking closer at one company's performance in 2024: Fujifilm.
With firmware version 5.10 launching earlier this month, Nikon has made its flagship Z9 mirrorless camera, released in late 2021, even better. The new firmware is the latest in a long series of free post-launch updates that have made the Z9 even better and much more versatile. Many camera companies believe strongly in post-launch support, but arguably, no camera has benefited more from free firmware updates than the Z9.
After a series of lousy hardware faults, SanDisk's name turned to mud. More than a year later, the company hopes to make people forget with a fresh new logo.
Buying a camera is like entering into an agreement with the brand. You’re handing over your hard-earned cash, and they are giving you the best product they can, or at least that’s how it used to be.
In the last year, I have written dozens of stories for PetaPixel about various incidents where people have died (or almost died) while taking a selfie, photo, or video. It may sound like a lot, but it is only a handful of the fatalities that I could have reported on.
This week, Adobe said that it would be making changes to its Photography plan pricing and eliminating the most affordable option entirely. Beyond that, as more camera and lens companies are pushing to support the "hybrid" creator (for good reason), Adobe continues to ignore them.
Think "action camera," and visions of snowboarders recording their high-adrenaline run down a slope spring to mind, and with good reason. Action cameras have unlocked new creative options for those wanting to capture their active pursuits on film. The results can be jaw-dropping, thanks to 4K or even 5.7K resolution options, enhanced slow motion, and mind-blowing stability. In short, an action camera can capture footage that looks like it was shot by a film crew rather than a tiny camera mounted to your ski helmet.
During internal voting and discussions concerning the Camera of the Year, the Canon EOS R1 quickly established itself as a non-contender. This highly anticipated flagship camera has been coming for a long time, but once it finally landed, it felt undercooked, and worse, boring.
A decade ago, in the hallowed halls of the now defunct Photokina show in Cologne, Germany, photographers, journalists, editors, and all sorts of other industry movers and shakers were elbowing each other out of the way to get closer to a trade booth where a brand’s newly launched flagship models were being admired. But the most popular booth of 2014 didn’t belong to Sony, Nikon, or even Canon... it belonged to Samsung.
On Friday, Microsoft confirmed it had discontinued the Surface Studio 2+, the company's all-in-one desktop computer. This computer failed not because it wasn't a good idea -- it was a brilliant idea on paper -- but because it was so poorly executed on all fronts.
Despite being ahead of its time, the Pentax K-1 (and its Mark II upgrade) was a camera system that promised so much yet appears to have run out of road. Born seemingly from an R&D department whose chains had been freed, the engineers went wild, strayed off-script, and produced a camera full of innovation. Fast forward to 2024, and a lack of lens support paired with no upgraded models in over six years leaves Pentax owners in an unwanted state of limbo where even the most loyal customers are now compelled to look elsewhere.
Like many photographers, I'm entrenched in a specific editing workflow. I use Adobe Lightroom Classic for the basics -- and even some of the more advanced edits -- and Photoshop for the rest. It works for me, and I'm not keen to jump through any hoops to change my process. However, Pixelmator Pro features a tool that made me pivot last week when I tried to make a print at home over the Thanksgiving holiday: Smart Deband.
For its fourth year in a row, PetaPixel has gathered its team together to guess the things they just know are going to take place over the next calendar year. All of us are, as usual, ready to be very, very wrong.
Foldable smartphones aren’t a total novelty anymore now that various brands make them, but they’re still far from being ubiquitous in people’s hands. There are various reasons to consider one, but how they can affect mobile photography helps make them more interesting.
A lot of the conversation surrounding Sony's new flagship camera, the a1 II, concerns the camera's image sensor. The 50-megapixel backside-illuminated stacked sensor is the same as the one featured in the original a1 which released in 2021. While some describe the reused sensor as disappointing, it is normal for Sony to use the same sensor across multiple iterations of the same camera series.
With the debut of the Sony 28-70mm f/2 GM lens this week, Sony now has 56 full-frame lenses and 77 total E-mount lenses. That is a lot of lenses -- by far the most among all full-frame camera systems and as the 28-70mm f/2 shows, Sony is finally free to experiment more.
"My goal with this book is simple: I want you to understand how to communicate an idea that resonates with the person who views the image," Ted Forbes, author of "Visually Speaking" and the face behind The Art of Photography YouTube channel writes.
The Sony a1 II has arrived, and it is a fantastic flagship camera. However, while its predecessor was leaps and bounds ahead of the competition, the mirrorless flagship camera race is much closer in 2024 than it was in 2021, and it has left the a1 II in a somewhat awkward position -- it feels like the middle child in a camera series that only actually has two models.
Chinese lens maker Yongnuo recently teased a new 35mm f/1.8 prime lens in its native market. Details on the specifics of the lens are scarce, but Yongnuo has unveiled the prime's complete name: YN35mm f/1.8 DA Art. Yes, that's right, "Art" -- a term strongly associated with Sigma's Art lens series.
In just the last year and a half, Apple launched Final Cut on iPad and Final Cut Camera, updated Final Cut Pro to a new version for the first time in 13 years, and moved to purchase Pixelmator. As Adobe's public perception continues to struggle, Apple is making moves to take advantage.
Apple Final Cut Pro 11 has arrived, not only ushering in the next generation of professional video editing for Apple but signaling the company's revitalized and reinvigorated approach to creative professional software at large.
Super Mario Party Jamboree for Nintendo Switch features a fun yet challenging minigame about capturing precise street photography moments.
In 2018, I was happily flying my DJI Mavic 2 Pro above a waterfall in Maui. Next to me, struggling to even get his GoPro Karma off the ground, another photographer eventually gave up. The Karma failed because it just couldn't get the basics right. Sony's Airpeak suffered the same fate.
Early this week, I pulled a colleague into a video chat and shared my screen with him, asking if he was familiar with Apple Photos. He said yes, and proceeded to let me continue. That was when I told him what he was looking at wasn't Apple Photos.
On Friday, Pixelmator surprised with the announcement that it had signed the paperwork required to be acquired by Apple. If it passes regulatory approval, Apple will suddenly own a set of software that directly competes with Adobe Lightroom and Photoshop.
Not long ago, camcorders ruled as the go-to device for capturing life’s moments. Now, they’re relics. Smartphones have stomped out almost every practical use for camcorders, replacing them with better features and internet connectivity. Yet, some manufacturers cling to the past, hoping to squeeze a few bucks from a dying market.
Apple is getting back into imaging software as the tech giant is acquiring photo editing app developer Pixelmator. This is the latest in a series of steps demonstrating Apple's renewed commitment to imaging at large, and it's a big deal.
